Friday, February 22, 2008

Hologrammes -- how 911 was done

automatic robot camera remote control 911 truth cia operation command

http://u2r2h-documents.blogspot.com/2008/01/luc-courchesne-911-ua-175-hologram.html



  • Read the 1999 Washington Post Article about USA-PSYOP capabilities, it mentions the US military holographic projector technology. The Author is a respected journalist. Make no mistake!

Real-time holography

The discussion above describes "conventional" holography, whereas the steps of recording, developing and reconstruction are performed independently or at different times in sequence. Also, the recording medium for conventional holography is typically film so that the hologram is permanently formed. This static recording notion is, in fact, similar to a photograph, which is also a permanent recording of image information. Thus, once formed, the hologram is "fixed," or unchangable.

Beyond conventional holography, there exists a technique whereby all the steps used to form a hologram are performed simultaneously in a material that can be refreshed. That is, the steps of recording, developing and reconstruction all take place at the same time (not sequentially). Moreover, the material used for this novel hologram is not film, but a material with properties which allow continuous updating of the hologram making the hologram dynamic so that the image information which records the hologram can change and the reconstructed output can also track, or change, simultaneously.

Such a dynamic hologram is called a "real-time hologram." The material that replaces film must also be capable of changing in response to a varying set of recording beams and input image information. Examples of such materials are referred to as "nonlinear optical materials," and can be realized using a variety of media such as photorefractive crystals, atomic vapors and gases, semiconductors (including "quantum wells"), plasmas and, even liquids. In this case, the local absorption and/or phase in the nonlinear material will be "exposed," and will "track" changes in the interference pattern formed by the recording beams. As the interference pattern changes, the local absorption and/or phase pattern in the material will also change and replace the original pattern. Beyond these "passive" materials, the dynamic media can also be in the form of "active" electro-optical devices, such as spatial light modulators (SLMs). In this case, the pixelated image-bearing input port serves as the "dynamic recording material," whereas the pixelated output of the device (e.g., the output display, or projection port) functions as the effective holographic reconstruction port. Currently, SLMs involve the use of liquid crystal layers as well as micro-electrical mechanical (MEMS) technologies as the pixelated image-bearing output (projection) port. The pattern imposed onto the input port of the SLM will give rise to a corresponding output pattern, as read out by the reconstruction beam. By virtue of the SLM, the output, or reconstruction, beam will be spatially encoded as a corresponding amplitude, phase or polarization pixelated mapping of the input image.


www.cs.vu.nl/~gerrit/HCIsheets/Holography.doc.

noplanes + tv-fakery + a single authentic 767 photo = hologrammes

noplanes .. is proven
tv-fakery .. is proven
a single authentic 767 photo ... COME ON !!!

MORE READING

http://u2r2h-documents.blogspot.com/2008/01/luc-courchesne-911-ua-175-hologram.html

http://u2r2h-documents.blogspot.com/2007/10/911-hologram-theory.html

http://u2r2h-documents.blogspot.com/2007/10/u2r2h-holo-tvf-missile-flyby-projector.html




http://www.washingtonpost.com/ac2/wp-dyn?pagename=article&node=&contentId=A45085-2000Feb28

When Seeing and Hearing Isn't Believing

By William M. Arkin

"Gentlemen! We have called you together to inform you that we are going to overthrow the United States government." So begins a statement being delivered by Gen. Carl W. Steiner, former Commander-in-chief, U.S. Special Operations Command.

At least the voice sounds amazingly like him.

But it is not Steiner. It is the result of voice "morphing" technology developed at the Los Alamos National Laboratory in New Mexico.

By taking just a 10-minute digital recording of Steiner's voice, scientist George Papcun is able, in near real time, to clone speech patterns and develop an accurate facsimile. Steiner was so impressed, he asked for a copy of the tape.

Steiner was hardly the first or last victim to be spoofed by Papcun's team members. To refine their method, they took various high quality recordings of generals and experimented with creating fake statements. One of the most memorable is Colin Powell stating "I am being treated well by my captors."

"They chose to have him say something he would never otherwise have said," chuckled one of Papcun's colleagues.

A Box of Chocolates is Like War

Most Americans were introduced to the tricks of the digital age in the movie Forrest Gump, when the character played by Tom Hanks appeared to shake hands with President Kennedy.

For Hollywood, it is special effects. For covert operators in the U.S. military and intelligence agencies, it is a weapon of the future.

"Once you can take any kind of information and reduce it into ones and zeros, you can do some pretty interesting things," says Daniel T. Kuehl, chairman of the Information Operations department of the National Defense University in Washington, the military's school for information warfare.

Digital morphing — voice, video, and photo — has come of age, available for use in psychological operations. PSYOPS, as the military calls it, seek to exploit human vulnerabilities in enemy governments, militaries and populations to pursue national and battlefield objectives.

To some, PSYOPS is a backwater military discipline of leaflet dropping and radio propaganda. To a growing group of information war technologists, it is the nexus of fantasy and reality. Being able to manufacture convincing audio or video, they say, might be the difference in a successful military operation or coup.

Allah on the Holodeck

Pentagon planners started to discuss digital morphing after Iraq's invasion of Kuwait in 1990. Covert operators kicked around the idea of creating a computer-faked videotape of Saddam Hussein crying or showing other such manly weaknesses, or in some sexually compromising situation. The nascent plan was for the tapes to be flooded into Iraq and the Arab world.

The tape war never proceeded, killed, participants say, by bureaucratic fights over jurisdiction, skepticism over the technology, and concerns raised by Arab coalition partners.

But the "strategic" PSYOPS scheming didn't die. What if the U.S. projected a holographic image of Allah floating over Baghdad urging the Iraqi people and Army to rise up against Saddam, a senior Air Force officer asked in 1990?

According to a military physicist given the task of looking into the hologram idea, the feasibility had been established of projecting large, three-dimensional objects that appeared to float in the air.

But doing so over the skies of Iraq? To project such a hologram over Baghdad on the order of several hundred feet, they calculated, would take a mirror more than a mile square in space, as well as huge projectors and power sources.

And besides, investigators came back, what does Allah look like?

The Gulf War hologram story might be dismissed were it not the case that washingtonpost.com has learned that a super secret program was established in 1994 to pursue the very technology for PSYOPS application. The "Holographic Projector" is described in a classified Air Force document as a system to "project information power from space ... for special operations deception missions."

War is Like a Box of Chocolate

Voice-morphing? Fake video? Holographic projection? They sound more like Mission Impossible and Star Trek gimmicks than weapons. Yet for each, there are corresponding and growing research efforts as the technologies improve and offensive information warfare expands.

Whereas early voice morphing required cutting and pasting speech to put letters or words together to make a composite, Papcun's software developed at Los Alamos can far more accurately replicate the way one actually speaks. Eliminated are the robotic intonations.

The irony is that after Papcun finished his speech cloning research, there were no takers in the military. Luckily for him, Hollywood is interested: The promise of creating a virtual Clark Gable is mightier than the sword.

Video and photo manipulation has already raised profound questions of authenticity for the journalistic world. With audio joining the mix, it is not only journalists but also privacy advocates and the conspiracy-minded who will no doubt ponder the worrisome mischief that lurks in the not too distant future.

"We already know that seeing isn't necessarily believing," says Dan Kuehl, "now I guess hearing isn't either."

William M. Arkin, author of "The U.S. Military Online," is a leading expert on national security and the Internet. He lectures and writes on nuclear weapons, military matters and information warfare. An Army intelligence analyst from 1974-1978, Arkin currently consults for Washingtonpost, Newsweek Interactive, MSNBC and the Natural Resources Defense Council.

Arkin can be reached for comment at william_arkin@washingtonpost.com.





5.6 Airborne Holographic Projector

Brief Description

The holographic projector displays a three-dimensional visual image in a desired location, removed from the display generator. The projector can be used for psychological operations and strategic perception management. It is also useful for optical deception and cloaking, providing a momentary distraction when engaging an unsophisticated adversary.
Capabilities
-Precision projection of 3-D visual images into a selected area
-Supports PSYOP and strategic deception management
-Provides deception and cloaking against optical sensors -Air Force/Wayback Machine

When Seeing and Hearing Isn't Believing
"Most Americans were introduced to the tricks of the digital age in the movie Forrest Gump, when the character played by Tom Hanks appeared to shake hands with President Kennedy.
For Hollywood, it is special effects. For covert operators in the U.S. military and intelligence agencies, it is a weapon of the future.
"Once you can take any kind of information and reduce it into ones and zeros, you can do some pretty interesting things," says Daniel T. Kuehl, chairman of the Information Operations department of the National Defense University in Washington, the military's school for information warfare.
Digital morphing — voice, video, and photo — has come of age, available for use in psychological operations. PSYOPS, as the military calls it, seek to exploit human vulnerabilities in enemy governments, militaries and populations to pursue national and battlefield objectives.
To some, PSYOPS is a backwater military discipline of leaflet dropping and radio propaganda. To a growing group of information war technologists, it is the nexus of fantasy and reality. Being able to manufacture convincing audio or video, they say, might be the difference in a successful military operation or coup.
Allah on the Holodeck

Pentagon planners started to discuss digital morphing after Iraq's invasion of Kuwait in 1990. Covert operators kicked around the idea of creating a computer-faked videotape of Saddam Hussein crying or showing other such manly weaknesses, or in some sexually compromising situation. The nascent plan was for the tapes to be flooded into Iraq and the Arab world.
The tape war never proceeded, killed, participants say, by bureaucratic fights over jurisdiction, skepticism over the technology, and concerns raised by Arab coalition partners.
But the "strategic" PSYOPS scheming didn't die. What if the U.S. projected a holographic image of Allah floating over Baghdad urging the Iraqi people and Army to rise up against Saddam, a senior Air Force officer asked in 1990?
According to a military physicist given the task of looking into the hologram idea, the feasibility had been established of projecting large, three-dimensional objects that appeared to float in the air.
The Gulf War hologram story might be dismissed were it not the case that washingtonpost.com has learned that a super secret program was established in 1994 to pursue the very technology for PSYOPS application. The "Holographic Projector" is described in a classified Air Force document as a system to "project information power from space ... for special operations deception missions." -Washington Post (02/01/99)


"Making Three-Dimensional Holograms Visible From All Sides
A technique for projecting holographic images to make both still and moving three-dimensional displays is undergoing development. Unlike older techniques based on stereoscopy to give the appearance of three-dimensionality, the developmental technique would not involve the use of polarizing goggles, goggles equipped with miniature video cameras, or other visual aids. Unlike in holographic display as practiced until now, visibility of the image would not be restricted to a narrow range of directions about a specified line of sight to a holographic projection plate. Instead, the image would be visible from any side or from the top; that is, from any position with a clear line of sight to the projection apparatus. In other words, the display could be viewed as though it were an ordinary three-dimensional object. The technique has obvious potential value for the entertainment industry, and for military uses like displaying battlefield scenes overlaid on three-dimensional terrain maps." -NASA's Jet Propulsion Laboratory (04/02)

"Computer-generated characters are common in movies and video games and on the Internet. But imagine walking into a store and seeing a virtual model hovering in front of you, even welcoming you and selling you the latest makeup or clothing styles.
Cameron has been turning heads at Hugo Boss in New York.
He's a digital model projected into free space. Star Wars fans will recall R2D2 beaming Princess Leah into free space. But Cameron is in a real environment, not on a movie screen.
Cameron's highly realistic three-dimensional presence is completely computer-generated. He's the product of Virtual Characters of New York City.
"We can beam characters into your living room," says Lloyd Nathan, CEO of Virtual Characters.
"We have a series of optics that we've designed that can take a computer-generated image and project it onto a point in space where your eye is trained to focus," Nathan." -CBS (12/23/00)

"Holographic Real Image Targets and Countermeasures
This Phase II program resulted in an entirely new process for producing uniform and virtually defect free large Photoresist Holographic Coatings (PHC) for applications ranging from military decoys and countermeasure systems to large scale 2-D and 3-D commercial displays. This process allows for holographic recording and mass-replication of various surface microstructures, and has been a gateway for Physical Optics Corporation (POC) entry into a large display arena.
This technology can produce unique 2-D and 3-D decoys and countermeasures that operate in the spectral range from UV to near IR.
Military decoys, camouflage systems, cockpit displays, head-mounted displays, advanced countermeasures, invisible lidars, range finders, and military optics." -Navy SBIR/STTR Bulletin Board


How They Did the Plane Trick at WTC2
Morgan Reynolds — August 27, 2006
Last summer I was at a family wedding and brother Rod was doing his magic show that evening. Not far into the show a child four seats away said, “That’s not magic, that’s a trick.”
Exactly. Same thing with the airplane show the government put on September 11, 2001. I have been trying to figure out how these manipulators did the WTC 2 trick for over a year now and I think I have figured it out.
Because of the element of surprise, the WTC 1 hoax at 8:46 a.m. did not have to be very good but WTC 2 at 9:03 a.m. had to be good because so many were watching and listening. This is where the criminals used considerable psy-op “magic.”
The analytical problem is how to reconcile two things: physical impossibility with credible eyewitness testimony. Of course the conventional government/media story is impossible: no aluminum airliner could crash into the towers, crumple not one bit and disappear. Yet we have the fact that many witnesses swear they saw such a magic act that morning, especially the alleged crash at the south tower.
Caution is in order, of course, since physical evidence trumps eyewitness reports and testimony in lower Manhattan was all over the place. A damning example of conflicting testimony and central mind control at work was ABC News anchors overruling their reporter on scene at WTC who never heard or saw a plane coming into the south tower.
Reporter: “…Oh my God.”
Anchor Charles Gibson: “That looks like a second plane has just hit…
R: “I did not see a plane go in. That, that just exploded. I…”
A: “We just saw another plane coming in from the side.”
R: “You did? That was out my view.”
A: “You could see the plane come in just from the righthand side of the screen…”
Marcus Icke considered 41 eyewitness reports from the south tower who claim to have seen an aircraft collide with WTC 2. Many were interviewed that day (more reliable) while others were interviewed later. No one reported seeing a Boeing 767-200 series with United Airlines livery crashing into the tower, an extremely strict standard, but all seemed to report some type of aircraft crashing into the tower. Many reported an aircraft vanished inside the tower. Since this is physically impossible for a real plane, these witnesses were lying or deluded. Some lied (I have my nominees) and some may have been duped. A delusion would be the result of some kind of trickery that remains hidden from researchers. The range of possibilities runs from an airplane fly-by of some kind coordinated with timed explosions inside the tower to David Copperfield on scene. No kidding. He has “disappeared a train” and the Statute of Liberty so maybe he put his mind to work on “disappearing a Big Boeing.”
....
I do not believe there is technology to project a realistic 3D high-speed image in broad daylight, as hypothesized by hologram speculation . Says Morgan Reynolds....


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